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O Fallen Angel

ebook
1 of 1 copy available
1 of 1 copy available

The haunting debut novel that put Kate Zambreno on the map, O Fallen Angel, is a provocative, voice-driven story of a family in crisis—and, more broadly, the crisis of the American family—now repackaged and with a new introduction by Lidia Yuknavitch.
Inspired by Francis Bacon's Three Studies for Figures at the Base of a Crucifixion, Kate Zambreno's brilliant novel is a triptych of modern-day America set in a banal Midwestern landscape, told from three distinct, unforgettable points of view.

There is "Mommy," a portrait of housewife psychosis, fenced in by her own small mind. There is "Maggie," Mommy's unfortunate daughter whom she infects with fairytales. Then there is the mysterious martyr-figure Malachi, a Cassandra in army fatigues, the Septimus Smith to Mommy's Mrs. Dalloway, who stands at the foot of the highway holding signs of fervent prophecy, gaping at the bottomless abyss of the human condition, while SUVs scream past.

Deeply poignant, sometimes hilarious, and other times horrifying, O Fallen Angel is satire at its best.

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    • Kirkus

      November 1, 2016
      A second edition of Zambreno's (Green Girl, 2014, etc.) 2010 debut novel takes its readers on a linguistic ride through an American family's breaking point.With a new introduction from Lidia Yuknavitch, Zambreno's novel offers an unconventional kind of narrative. Structured in three distinct voices, the novel is composed and punctuated by its moments of narrative and linguistic crisis. Maggie, the depressive, self-harming, renegade daughter, permeates the book with a language of fear and rebellion ("Maggie wants nothing more than to be slapped around a little, she wants to be punished, she wants to be punished for her bad, bad, soul"). On the other hand, Mommy, the unstable and unfair mother, embodies a word bank of expectation and disappointment ("What does a psychologist do Mommy wonders? Except make trouble. Except blame everything on the Mommy, blame everything on the Mommy and Daddy, that's what a psychologist does, and who needs a psychologist when you have Jesus?"). Zambreno has also strategically created the character of Malachi, who remains mysterious and existential throughout the book ("He takes out a match, on which is traced one of his stars, symbols. He sets fire onto his paper city"). To try and pin a storyline to this novel wouldn't do it justice. Rather, it exposes the everyday life of most contemporary American families, except that day-to-day activities have been replaced with the semiotic. The novel does provide a reader with enough psychosocial reference points for one to identify with each character's psychoses. For example, Maggie constantly questions her sexuality, and Mommy systematically wants to control everything about her and her daughter's lives. These neuroses are not foreign to Americans living according to a national standard that was forced upon them by history and culture. Zambreno is a master at peeling off the denial and rubbing the reality of this time in our faces. Linguistically enthralling, this is a novel that will surely make you orbit into the ineffable.

      COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.

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Languages

  • English

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