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The Theory of Light and Matter

Stories

ebook
1 of 1 copy available
1 of 1 copy available

These ten short stories explore loss and sacrifice in American suburbia. In idyllic suburbs across the country, from Philadelphia to San Francisco, narrators struggle to find meaning or value in their lives because of (or in spite of) something that has happened in their pasts. In "Hole," a young man reconstructs the memory of his childhood friend's deadly fall. In "The Theory of Light and Matter," a woman second-guesses her choice between a soul mate and a comfortable one.
Memories erode as Porter's characters struggle to determine what has happened to their loved ones and whether they are responsible. Children and teenagers carry heavy burdens in these stories: in "River Dog" the narrator cannot fully remember a drunken party where he suspects his older brother assaulted a classmate; in "Azul" a childless couple, craving the affection of an exchange student, fails to set the boundaries that would keep him safe; and in "Departure" a suburban teenage boy fascinated with the Amish makes a futile attempt to date a girl he can never be close to.
Memory often replaces absence in these stories as characters reconstruct the events of their pasts in an attempt to understand what they have chosen to keep. These struggles lead to an array of secretive and escapist behavior as the characters, united by middle-class social pressures, try to maintain a sense of order in their lives. Drawing on the tradition of John Cheever, these stories recall and revisit the landscape of American suburbia through the lens of a new generation.

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    • Publisher's Weekly

      August 11, 2008
      The narrators of Porter’s Flannery O’Connor Award–winning collection tend to be young and clear-eyed beyond their years as they give voice to the secrets—family, their own—that haunt them. In the opening story, “Hole,” the narrator ruminates on the loss of a childhood friend and the slippery nature of guilt, memory and truth. In “Storms,” a young man considers his relationship with a troubled sister, who abandoned her fiancé in Spain without a passport or money. The narrator of “River Dog” wonders if he should or could hate his brother for the things he did to other people, and for what they did to his brother. In the title story, a young woman ponders the nature of a May/December romance. If the events and secrets of these characters’ pasts have not overtaken their lives, then their reverberations still threaten to corrupt the years yet to come. Throughout, Porter shows how love and pain often come hand in hand.

    • Booklist

      September 1, 2008
      Some writing is like taking a sip of the clearest mountain spring water: quenching, even though youve had water before. There are no new themes or revelations inPorters debut, winner of this years Flannery OConnor Award for Short Fictionjust the dalliances of suburban couples, the reminiscences of childhood, middle-class boredom, and academic affairs. Luckily he rescues his characters from the short-story doldrums, where plots might otherwise be known by rote. With clear, strong prose marked by devious underpinnings, Porters style is straightforward, his characters careful narrators treading above a murky pool. Hole recounts a shocking accident: two boys, summertime chores, and a sudden death in an illegal manhole. The two teenage boys in Departure spend a summer making idle attempts to date beautiful Amish girls; and in the title story, a college student is torn between the boy she hopes to marry and the secret, innocent affair she is having with an older professor. Whatthese stories share is the haunting lull of memory and its deceptive, shadowy recall.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)

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Languages

  • English

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